Pulitzer Center on Crisis Reporting

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Meet Pulitzer Center grantee and photojournalist Shiho Fukada. In this video, she explains her reporting project “Japan’s Disposable Workers.” Japan’s structural economic problems are further alienating its already marginalized populations. She went beyond the bright lights of Tokyo to document the country’s unemployment crisis: disposable workers who are easily fired and live without a social safety net. They are usually shut out from the rest of the society, living in poverty but rarely acknowledged by their fellow citizens.

Fukada’s distinctive photographs add a human face to widely discussed issues—from day laborers living on the streets to educated women taking banal jobs. She reveals the other side of Japan where alcoholism, hopelessness and suicide have become increasingly commonplace. 

We’re highlighting our female journalists all week for International Women’s Day on March 8th.

    • #japan
    • #women's day
    • #photojournalism
    • #disposable workers
    • #pcwomensday
  • 3 months ago
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Pulitzer Center grantee James Whitlow Delano talked to seniors at Perspectives Charter Schools about his reporting and photojournalism on rainforests in Borneo and Suriname. Image from Perspectives’ Instagram.
Check out James’ narrated photo slideshow of Borneo’s threatened rainforests below:
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Pulitzer Center grantee James Whitlow Delano talked to seniors at Perspectives Charter Schools about his reporting and photojournalism on rainforests in Borneo and Suriname. Image from Perspectives’ Instagram.

Check out James’ narrated photo slideshow of Borneo’s threatened rainforests below:

    • #photojournalism
    • #Education
    • #rainforest
    • #journalism
    • #classroom
  • 3 months ago
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In the Field: Persephone Miel Fellowship Applications Due February 15th

pulitzerfieldnotes:

The Pulitzer Center is pleased to announce that the call for proposals for the 2013 Persephone Miel Fellowship is now open.

A former Senior Adviser at Internews, Persephone Miel worked to advance the work of international journalists and to ensure that their voices would be heard not only in one region but around the world. Support for the fellowship comes from friends of Persephone Miel and from all who seek to honor her legacy. The fellowship, overseen by the Pulitzer Center in collaboration with Internews, is designed to help media professionals outside the United States do the kind of reporting they’ve always wanted to do and enable them to bring their work to a broader audience.

The fellowship is open to journalists and media professionals outside the U.S. who are seeking to report from their home country. It is designed to benefit those with limited access to other fellowships and those whose work is not routinely disseminated internationally. Women and journalists from developing countries are strongly encouraged to apply. Applicants must be proficient in English. The application deadline is February 15, 2013.

See the announcement of the fellowship at the Internews ceremony in honor of Persephone in October 2010 and the announcement of the 2012 Persephone Miel Fellow, Anna Nemtsova. Her Pulitzer Center project, “Russia: On the Move,” explores new trends and migration patterns in the North Caucasus and the brain drain in Siberia.

View the terms and application guidelines.

Learn how you can support the Persephone Miel Fellowship Fund.

    • #journalism
    • #grants
    • #journalists
    • #photojournalism
    • #writing
    • #freelance
  • 4 months ago > pulitzerfieldnotes
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syjabudu:



Haiti, One Year Later
Photo by Allison Shelley
via The Big Picture



Pulitzer Center grantees Allison Shelley and Allyn Gaestel are in the field in Nepal, and they are posting to our In the Field Tumblr. 
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syjabudu:

Haiti, One Year Later

Photo by Allison Shelley

via The Big Picture

Pulitzer Center grantees Allison Shelley and Allyn Gaestel are in the field in Nepal, and they are posting to our In the Field Tumblr. 

    • #Allison Shelley
    • #Haiti
    • #photography
    • #photojournalism
  • 6 months ago > syjabudu
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• What kinds of social borders and boundaries do you experience in your daily life?• How do borderlines make an impact in your community?• How do international borders affect your life?• What are some creative ways of overcoming borders?• How do borders connect rather than divide?
Explore these questions with your camera and submit a photo to our photography contest! (Open to high school and college students.)
Photojournalist and Pulitzer Center grantee Dominic Bracco II will lead a special tutoring session with contest finalists at the awards ceremony on April 8, 2013, in San Diego. Winning images will be featured in The Museum of Photographic Arts, on the websites of the Pulitzer Center and the Trans-Border Institute, and printed in Global Vantage, the magazine of the Global Journal Project. Entries are due February 15, 2013.  More details»
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• What kinds of social borders and boundaries do you experience in your daily life?
• How do borderlines make an impact in your community?
• How do international borders affect your life?
• What are some creative ways of overcoming borders?
• How do borders connect rather than divide?

Explore these questions with your camera and submit a photo to our photography contest! (Open to high school and college students.)

Photojournalist and Pulitzer Center grantee Dominic Bracco II will lead a special tutoring session with contest finalists at the awards ceremony on April 8, 2013, in San Diego. Winning images will be featured in The Museum of Photographic Arts, on the websites of the Pulitzer Center and the Trans-Border Institute, and printed in Global Vantage, the magazine of the Global Journal Project. Entries are due February 15, 2013.  More details»

Source: bit.ly

    • #borders
    • #photography contest
    • #photojournalism
    • #social
    • #economic
  • 6 months ago
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Opening today, VII Gallery presents a dual exhibit of “iSee” and “Everyday Africa.” Featuring the works of Pulitzer Center grantees Austin Merrill and Peter DiCampo, “Everyday Africa” is humanitarian in its motivations; but rather than draw attention to a specific crisis, we hope this work serves as a much-needed reminder that the mundane and ordinary are ever-present.

September 20, 2012 (All day) to October 18, 2012 (All day)





VII Gallery28 Jay StreetBrooklyn, NY 11201
Gallery Hours: 10am – 6pm Monday-FridayOn the first Thursday of every month the gallery is open from 10am – 9pm for 1st Thursday Dumbo Gallery Walk.The gallery is closed on federal holidays.
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Opening today, VII Gallery presents a dual exhibit of “iSee” and “Everyday Africa.” Featuring the works of Pulitzer Center grantees Austin Merrill and Peter DiCampo, “Everyday Africa” is humanitarian in its motivations; but rather than draw attention to a specific crisis, we hope this work serves as a much-needed reminder that the mundane and ordinary are ever-present.

September 20, 2012 (All day) to October 18, 2012 (All day)

VII Gallery
28 Jay Street
Brooklyn, NY 11201

Gallery Hours: 10am – 6pm Monday-Friday
On the first Thursday of every month the gallery is open from 10am – 9pm for 1st Thursday Dumbo Gallery Walk.
The gallery is closed on federal holidays.

Source: bit.ly

    • #Africa
    • #photojournalism
    • #VII Photo
    • #Peter DiCampo
    • #Austin Merrill
  • 9 months ago
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FotoWeekDC 5th Annual International Awards Competition

Have you submitted to FotoWeekDC’s 5th Annual International Awards Competition (November 9-18) yet? The deadline for submissions is soon — September 17, 2012 at 11:59pm PST. They have photo and photobook categories, seminars and portfolio reviews…  AND *fist pump of excitement* the Pulitzer Center will be there with our own exhibit (more details to come soon).

image

Source: 2012fotoweek.nielsencontests.com

    • #FotoWeekDC
    • #Photojournalism
    • #competition
    • #photobooks
  • 9 months ago
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Congratulations both to Andrea Bruce and Dominic Bracco II.

More of Dominic’s photography we supported on growing up in Juarez can be found here.

cjchivers:

Andrea Bruce Receives Chris Hondros Fund Award; Dominic Bracco II is Finalist.

Today the Chris Hondros Fund announced the first recipient of a new photojournalism prize, presented in the memory of Chris, who with Tim Hetherington was killed last spring during the siege of Misrata, Libya.  

The judges recognized Andrea Bruce, a photographer from the NOOR agency formerly on the staff of the Washington Post (and who now often shoots for The New York Times), for work that espoused the values and vision so evident in Chris’s life and work. Andrea, the fund wrote, “exhibits the qualities sought after in this Award’s selection criteria- an unyielding commitment to photojournalism, exceptional photographic work, and a tireless drive to tell a story. Choosing Ms. Bruce as the first award winner serves as a true honor to Chris Hondros’ life and work as she continues to bring shared human experiences into the public eye.”  

The photograph at the top of this post, of a U.S. Marine detaining a bank looter in Baghdad in 2003, is one small part of Andrea’s remarkable body of work. Visit her website to see her commitment, compassion and range. She will receive a $20,000 prize, to be used to further her vivid documentary journalism, at a ceremony later this month in New York.  

The judges also recognized Dominic Bracco II, a photographer from the Prime Collective who works in and from Mexico City, as a finalist, for “creating a visual history that provokes thought, raises awareness and fosters understanding.” The second photo, above, is one of Dominic’s.

Let’s pause for a moment at this arresting and sorrowful image. It manages almost to shock. Yet it is imbued with gray. And in this way it becomes representative of a type of work that is both common to journalists and unfamiliar to many people outside the profession and the craft. Why? Because its meaning, like so much that journalists encounter when working in the field, is unclear. Dominic’s declarative and ruminative caption is itself a monument to honest reporting, and to a type of work Chris took on:

The scene of a murdered couple. The woman was far into her pregnancy. The couple’s heads touched in a last embrace. A single bullet entered the man’s skull and took all three lives. It is difficult to say who these victims were. The back of their truck was filled with glass and tools. It is possible that they were workers killed for not paying an extortion to the cartels. It is also possible that they were somehow involved in organized crime. At the time it was to dangerous to investigate their deaths. In 2010 alone there were 3,100 reported murders in the city. There are projections that 2011 will yield 5,000 deaths.

Often, when journalists head into the field on a story, they have no idea what they will find. Even when they do encounter their subject, it does not reveal itself in full. Truth, certitude, clarity, understanding, satisfaction — all of these things are elusive. And all of these things are among what draw the best on, and drove Chris.

Dominic will receive $5,000 at the ceremony with Andrea.

Andrea and Dominic are the inaugural winners of a prize whose meaning and significance will only grow, in part because of who Chris was, and in part because the body of work of photojournalists today is so strong, as you will see when you visit their websites and look. Please do that now.

DISCLOSURE

I am a nominator for the Chris Hondros Fund Award. In this role I did not nominate or advocate for any staff members of The New York Times, and I had no say or visibility on the judges’ deliberations and vote.


    • #news
    • #photography
    • #photojournalism
  • 1 year ago > cjchivers
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In case you missed it, The War in Hipstamatic - Afghanistan, through an iPhone.
Images by Balazs Gardi, via Foreign Policy.
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In case you missed it, The War in Hipstamatic - Afghanistan, through an iPhone.

Images by Balazs Gardi, via Foreign Policy.

    • #afghanistsan,
    • #news
    • #photojournalism
    • #war
  • 1 year ago
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Pulitzer Center on Crisis Reporting promotes and funds untold stories from across the globe. Want to see how the journalists put together a story? Follow our Pulitzer Field Notes Tumblr.

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